Oluce Atollo Table Lamp
Designed by Vico Magistretti in 1977, it was awarded the Compasso d'Oro in 1979 and became, since then, part of the permanent collections of the world's major museum of design, as well as part of the furniture of many homes of those who love and are able to select the things surrounding them.
Atollo's secret probably lies in the geometrical construction of its shapes: the cone on the cylinder and the semisphere above all. It has a glamorous and splendid appearance. The shade has a spherical appearance directing light downward onto the table surface, making a pleasant indirect enviroment.
A luminous sculpture from which nothing can be removed to which nothing can be added. And which nothing can copy.
Designed by Vico Magistretti in 1977, it was awarded the Compasso d'Oro in 1979 and became, since then, part of the permanent collections of the world's major museum of design, as well as part of the furniture of many homes of those who love and are able to select the things surrounding them.
Atollo's secret probably lies in the geometrical construction of its shapes: the cone on the cylinder and the semisphere above all. It has a glamorous and splendid appearance. The shade has a spherical appearance directing light downward onto the table surface, making a pleasant indirect enviroment.
A luminous sculpture from which nothing can be removed to which nothing can be added. And which nothing can copy.
Original: $913.49
-70%$913.49
$274.05Description
Designed by Vico Magistretti in 1977, it was awarded the Compasso d'Oro in 1979 and became, since then, part of the permanent collections of the world's major museum of design, as well as part of the furniture of many homes of those who love and are able to select the things surrounding them.
Atollo's secret probably lies in the geometrical construction of its shapes: the cone on the cylinder and the semisphere above all. It has a glamorous and splendid appearance. The shade has a spherical appearance directing light downward onto the table surface, making a pleasant indirect enviroment.
A luminous sculpture from which nothing can be removed to which nothing can be added. And which nothing can copy.
